Events
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Terror is the Order of the Day
Terror is the Order of the Day, a powerful new work by Ben Heineman, dramatizes one of the most tumultuous, violent and consequential periods in modern world history: the two years of the French Revolution from the dethronement, trial and execution of the King, Louis XVI, through the founding of the Republic, the imposition of the Great Terror and the execution of Robespierre.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Terror is the Order of the Day
Terror is the Order of the Day, a powerful new work by Ben Heineman, dramatizes one of the most tumultuous, violent and consequential periods in modern world history: the two years of the French Revolution from the dethronement, trial and execution of the King, Louis XVI, through the founding of the Republic, the imposition of the Great Terror and the execution of Robespierre.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Terror is the Order of the Day
Terror is the Order of the Day, a powerful new work by Ben Heineman, dramatizes one of the most tumultuous, violent and consequential periods in modern world history: the two years of the French Revolution from the dethronement, trial and execution of the King, Louis XVI, through the founding of the Republic, the imposition of the Great Terror and the execution of Robespierre.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Terror is the Order of the Day
Terror is the Order of the Day, a powerful new work by Ben Heineman, dramatizes one of the most tumultuous, violent and consequential periods in modern world history: the two years of the French Revolution from the dethronement, trial and execution of the King, Louis XVI, through the founding of the Republic, the imposition of the Great Terror and the execution of Robespierre.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Terror is the Order of the Day
Terror is the Order of the Day, a powerful new work by Ben Heineman, dramatizes one of the most tumultuous, violent and consequential periods in modern world history: the two years of the French Revolution from the dethronement, trial and execution of the King, Louis XVI, through the founding of the Republic, the imposition of the Great Terror and the execution of Robespierre.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Terror is the Order of the Day
Terror is the Order of the Day, a powerful new work by Ben Heineman, dramatizes one of the most tumultuous, violent and consequential periods in modern world history: the two years of the French Revolution from the dethronement, trial and execution of the King, Louis XVI, through the founding of the Republic, the imposition of the Great Terror and the execution of Robespierre.
Guest Production: Terror is the Order of the Day
Terror is the Order of the Day, a powerful new work by Ben Heineman, dramatizes one of the most tumultuous, violent and consequential periods in modern world history: the two years of the French Revolution from the dethronement, trial and execution of the King, Louis XVI, through the founding of the Republic, the imposition of the Great Terror and the execution of Robespierre.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Terror is the Order of the Day
Terror is the Order of the Day, a powerful new work by Ben Heineman, dramatizes one of the most tumultuous, violent and consequential periods in modern world history: the two years of the French Revolution from the dethronement, trial and execution of the King, Louis XVI, through the founding of the Republic, the imposition of the Great Terror and the execution of Robespierre.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Guest Production: Maiden Mother Crone
Two Plays. Two Voices. One Unforgettable Evening.
Step into a world where unspoken truths meet unapologetic courage. SUGARCOATED by Jen Ponton and THE LONGER MY MOTHER IS DEAD THE MORE I LIKE HER by Deborah Unger offer a powerful evening of theater that speaks to the heart of what it means to reclaim your voice, your truth, and your power.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Amm(i)gone
In this theatrical experiment—whose title is a portmanteau of “ammi” (“mother” in Urdu) and the Greek heroine Antigone—Mansoor creates a warm, intimate, and vulnerable interaction with his audience as he shares the ongoing story of how he and his mother are working to restore their bond.
Guest Production: Kinyozi: A Hair Story
KINYOZI: A HAIR STORY is a coming of age comedy set in West Philadelphia. With high school graduation around the corner, India is preparing to take over her Auntie Cleo's famed braiding salon with her best friend Mary. After an abrupt change, the girls are forced to navigate the salon on their own, testing everything they thought they knew about adulthood, and most importantly, their friendship. This is a story about first loves, in every form and every capacity.
Guest Production: we come to collect
Eyyyyyy, capitalism is trying to holler at you. Whatever will you say… Fuck around and find out over 90-ish minutes of comedic performance stylings that beg your engagement.
Guest Production: we come to collect
Eyyyyyy, capitalism is trying to holler at you. Whatever will you say… Fuck around and find out over 90-ish minutes of comedic performance stylings that beg your engagement.
Guest Production: we come to collect
Eyyyyyy, capitalism is trying to holler at you. Whatever will you say… Fuck around and find out over 90-ish minutes of comedic performance stylings that beg your engagement.
Guest Production: we come to collect
Eyyyyyy, capitalism is trying to holler at you. Whatever will you say… Fuck around and find out over 90-ish minutes of comedic performance stylings that beg your engagement.
Guest Production: we come to collect
Eyyyyyy, capitalism is trying to holler at you. Whatever will you say… Fuck around and find out over 90-ish minutes of comedic performance stylings that beg your engagement.
Guest Production: we come to collect
Eyyyyyy, capitalism is trying to holler at you. Whatever will you say… Fuck around and find out over 90-ish minutes of comedic performance stylings that beg your engagement.
Guest Production: we come to collect
Eyyyyyy, capitalism is trying to holler at you. Whatever will you say… Fuck around and find out over 90-ish minutes of comedic performance stylings that beg your engagement.
Guest Production: we come to collect
Eyyyyyy, capitalism is trying to holler at you. Whatever will you say… Fuck around and find out over 90-ish minutes of comedic performance stylings that beg your engagement.
Guest Production: Eras(h)erface (Copy)
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Eras(h)erface
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Et Alia Gala
Et Alia Theater presents
Et Alia Gala
We’re thrilled to invite you to this year’s Et Alia Gala, a joyous celebration of our 5th anniversary! This milestone would not have been possible without the incredible support of our community.
Come enjoy a night full of exciting offerings such as:
🎭 Announcement of our 2025 mainstage production - be the first one to know!
✨ Special performance from SarAika Movement Collective
🎨 An artistic booth
🎟️ Special raffle basket with goodies from our home countries and more
🍷 Delicious drinks and finger food provided by Relish Catering to toast to the next 5 years
💃 Music, dance, and good vibes come una grande famiglia :)
As always, we want you to Make Yourself at Home—dress up in whatever makes you feel great! Let’s celebrate our journey and the amazing projects we’ve created together. We can’t wait to see you there!
If you cannot make it but want to help us anyway, please consider making a tax-deductible donation! We are very grateful for your support.
If you have any questions, you can reach us at contact@etaliatheater.com.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Awake in the Dark
Based on the book by Shira Nayman, Awake in the Dark tells the story of Christiane, a woman in her thirties living in New York, who receives a cryptic address from her mother on her deathbed—a location in Germany.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Awake in the Dark
Based on the book by Shira Nayman, Awake in the Dark tells the story of Christiane, a woman in her thirties living in New York, who receives a cryptic address from her mother on her deathbed—a location in Germany.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Awake in the Dark
Based on the book by Shira Nayman, Awake in the Dark tells the story of Christiane, a woman in her thirties living in New York, who receives a cryptic address from her mother on her deathbed—a location in Germany.
Guest Production: Machinal
When capitalism crumbles, class structure divides, and technology is king, who is left behind? In The Mechanicals’ Machinal, past meets future in the postmodern reality of the 2020s.
Guest Production: Awake in the Dark
Based on the book by Shira Nayman, Awake in the Dark tells the story of Christiane, a woman in her thirties living in New York, who receives a cryptic address from her mother on her deathbed—a location in Germany.
Guest Production: Born Dancing
Born Dancing will present two of its favorite choreographic works, as always performed by dancers of all ages with and without disabilities.
Guest Production: Damaged Goods
Two childhood best friends who reconnect after many years apart come together to figure out what exactly it is they want for themselves both personally and professionally.